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	<title>Duncan Writes</title>
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		<title>Books Through Bars Fundraiser BBQ</title>
		<link>http://duncanwrites.wordpress.com/2010/05/08/books-through-bars-fundraiser-bbq/</link>
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		<pubDate>Sat, 08 May 2010 23:01:56 +0000</pubDate>
		<dc:creator>phydeux</dc:creator>
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		<description><![CDATA[Grilled the shit out of some veggies<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=duncanwrites.wordpress.com&amp;blog=7054210&amp;post=108&amp;subd=duncanwrites&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Grilled the shit out of some veggies</p>
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		<title>Twitter-Blog test!</title>
		<link>http://duncanwrites.wordpress.com/2010/05/07/twitter-blog-test/</link>
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		<pubDate>Fri, 07 May 2010 03:55:43 +0000</pubDate>
		<dc:creator>phydeux</dc:creator>
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		<guid isPermaLink="false">http://duncanwrites.wordpress.com/?p=103</guid>
		<description><![CDATA[to see if they connect!<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=duncanwrites.wordpress.com&amp;blog=7054210&amp;post=103&amp;subd=duncanwrites&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>to see if they connect!</p>
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		<title>Defeatism on the Left</title>
		<link>http://duncanwrites.wordpress.com/2009/09/09/defeatism-on-the-left/</link>
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		<pubDate>Wed, 09 Sep 2009 17:39:11 +0000</pubDate>
		<dc:creator>phydeux</dc:creator>
				<category><![CDATA[Commucation Strategy]]></category>

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		<description><![CDATA[from NYBullshit.wordpress.com At some point, the right’s response to the Obama Presidency turned into what feels like a rout.  The old ready defeatism of the left reemerged: the astounded bafflement about the success of right talking points, the flustered games of catch-up with proliferating memes about Obama’s ’socialism’ and ‘foreignness’. At the same time, the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=duncanwrites.wordpress.com&amp;blog=7054210&amp;post=89&amp;subd=duncanwrites&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div>
<div>
<p>from NYBullshit.wordpress.com</p>
<p>At some point, the right’s response to the Obama Presidency turned into what feels like a rout.  The old ready defeatism of the left reemerged: the astounded bafflement about the success of right talking points, the flustered games of catch-up with proliferating memes about Obama’s ’socialism’ and ‘foreignness’.</p>
<p>At the same time, the left performed an incredible 180 on the President, renouncing him for selling out with remarkable speed – as if the election had itself banished every demon and won every battle the left needed to move forward on an ambitious agenda.  <a href="http://campaignsilo.firedoglake.com/2009/09/06/van-jones-a-moment-of-truth-for-liberal-institutions-in-the-veal-pen/" target="_blank">Part of the defeatism is the effective corralling of mainstream liberal sentiment by the ‘veal pen’ of the President’s popularity and obsessive message discipline</a>. There’s always been the expectation that Obama would just take care of it himself, and that adherence to his message-line would get the job done.  The result has been a woefully under-organized and frustrated left searching for a point from which to put pressure on the President, but still years behind the right in its organizing capacity.</p>
<p>There’s something about liberal thinking that makes it prone to easy defeatism.  Part of the ideology of liberalism is an explicit  pluralism, embracing the interaction between different interest groups in the public sphere as the path to a just society.  This lends itself to a focus on strategy (the interaction of those groups in the public sphere) and an obsession with telling the story about the battle of those competing interests.  Folks on the right tell a better story in the battle, and focus less on the interactions of strategy in the public, lending itself to a more effective language for mobilization – one that is more visceral, immediate, and messianic.  The endless deliberations of strategy allow more points of division between left groups, and downplays values-driven emotional appeals.  The result is less action, and an obsession with the effective strategies of your opponents, who consistently do a better job of getting people fired up. And so the defeatism slips back in, and the rout begins again.</p>
<p>The folks at <a href="http://www.smartmeme.org" target="_blank">SmartMeme</a> have a good starting point for reversing the rout.  They describe a division between &#8220;the story of the battle&#8221; and the &#8220;battle of the story&#8221;.  The Story of the Battle is the liberal machinations about activism and interest groups; the Battle of the Story is the public-facing narrative that speaks to people and makes them want to get motivated to act.  Left strategists need to think about the differences between the two narrative styles, and invest more time and energy into the battle of the story in order to turn the rout around, and continue building a better future for all.</p>
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			<media:title type="html">phydeux</media:title>
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		<title>What the Birthers Mean for America&#8217;s Future</title>
		<link>http://duncanwrites.wordpress.com/2009/07/25/what-the-birthers-mean-for-americas-future/</link>
		<comments>http://duncanwrites.wordpress.com/2009/07/25/what-the-birthers-mean-for-americas-future/#comments</comments>
		<pubDate>Sat, 25 Jul 2009 17:54:07 +0000</pubDate>
		<dc:creator>phydeux</dc:creator>
				<category><![CDATA[Opinion/Editorial]]></category>

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		<description><![CDATA[from the DC Writeup In the past two weeks, the emergence of so-called ‘birthers’ into the mainstream political consciousness has been met largely with astonishment and disdain. The birthers are conspiracy theorists who question the validity of Barack Obama’s Hawaii birth certificate, alleging that the president was born in either Kenya or Indonesia. But this [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=duncanwrites.wordpress.com&amp;blog=7054210&amp;post=91&amp;subd=duncanwrites&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>from the <a href="http://www.thedcwriteup.com/2009/07/what-the-birthers-mean-for-america%E2%80%99s-future/" target="_blank">DC Writeup</a></p>
<p>In the past two weeks, the emergence of so-called ‘birthers’ into the mainstream political consciousness has been met largely with astonishment and disdain. The birthers are conspiracy theorists who question the validity of Barack Obama’s Hawaii birth certificate, alleging that the president was born in either Kenya or Indonesia.</p>
<p>But this is no ordinary conspiracy theory, and we need to understand the birthers in order to understand the underside of the new political world created by technology and by the election of our first black president. Catapulted into the limelight by internet organizing and the remnants of the radical right fringe, the birther movement is emblematic of the ways American politics has changed during the past decade.</p>
<p>The fervor of the birthers has been incubated in the strange backwaters of the right-wing blogosphere, an environment not so unlike the ascendant left-wing ‘netroots’ that helped bring Obama to power. Both have their minor celebrities, significant major party connections and cause célèbres. In fact, Robert Gibb’s “<a href="http://www.huffingtonpost.com/2009/07/27/gibbs-obama-will-never-sa_n_245632.html" target="_blank">15 dollars and a web domain</a>” comment neatly describes what most people call (in other contexts) the democratic potential of internet publishing. Websites like <a href="http://www.wnd.com/" target="_blank">WorldNetDaily</a> have mobilized highly motivated people via a drumbeat of criticism (repeated in the echo-chamber blogosphere), and then allowed these highly motivated people to project what would otherwise be an invisible issue into the limelight — with YouTube and crowding internet polls as their chief weapons.</p>
<p>Which is not to say all net-movements are created equal. The shrill nativism of the birth certificate conspiracists makes them particularly dangerous as the US embarks on a radical reconfiguration of its relations with the world post-Bush. They are the backlash and the defenders of the old guard, and their power must be accounted for as the rest of the country moves forward.</p>
<p>The fervor of the birthers should be understood in its broader context. Essentially, the birthers represent a dethroned white right-wing movement, grasping for some kind of kill switch that will short-circuit the course of change charted by the Obama administration. Many on the right see a host of changes — in the role of government, in the relationship of the US to other countries, and in race relations — and correctly recognize them as a death knell for traditional American conservatism. The birth certificate issue becomes a way to delegitimize everything Obama stands for — and in the case of his legal changes, literally a way to wipe the slate clean.</p>
<p>The same pattern emerges with other prominent conspiracy theories. The 9/11 ‘truthers’ gained steam as the Bush administration went to war in Iraq and a vast network of civil liberty violations came to light. Truthers saw 9/11 as the lynchpin of Bush administration’s power to do most of whatever it pleased, and sought to destabilize the entire administration by revealing the ‘truth’ of what happened on 9/11/01.</p>
<p>Of course, all this could be resolved with the release of one simple document, right?</p>
<p>Not really. Gibbs was right when he said that the birther conspiracy is here to stay, because any facts presented to defend Obama’s American past will be viscerally delegitimized in the eyes of the birthers, who see Obama as a threat to their long held worldview. The birthers’ standard of proof is dictated by a set of values that make any defender of Obama un-American and therefore untrustworthy. The only people worth trusting are fellow reactionaries, who see America’s fall written everywhere — those who don’t must be blind to the truth, and therefore could never read the birth certificate for what it ‘really’ is.</p>
<p>In fact, the birther conspiracy theory evokes the supposedly American values that Obama transcends — notions of rights of birth, rigid identity borders and the ‘Homeland’ that proliferated in the darker days of the Bush administration, and have taken root in some parts of the American psyche. The idea of ‘proof of citizenship’ shows up in a number of right-wing arguments about welfare and voter registration, and in the massive ICE workplace raids that deport anyone funny looking who can’t immediately produce proof of their citizenship. Basically, for the birthers, America belongs to Americans, and if you disagree with what they think the country stands for — well, then you must not be from here.</p>
<p>That’s why I think that mainstream commentators miss the mark when they present official statements and internet print-offs as the final question on this issue. The real battle here is a battle over values — those demanding Obama’s birth certificate espouse the notion that someone becomes great primarily by right of birth, while many of Obama’s supporters backed him because they thought he would be a worthwhile leader in troubled times. The best way to defeat the birthers is to return to talking about the big issues facing our world today. There are more than enough</p>
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		<title>12 Steps to Writing</title>
		<link>http://duncanwrites.wordpress.com/2009/05/14/12-steps-to-writing/</link>
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		<pubDate>Thu, 14 May 2009 01:54:04 +0000</pubDate>
		<dc:creator>phydeux</dc:creator>
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		<category><![CDATA[writing]]></category>

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		<description><![CDATA[12 steps for being a better writer, completed for a class. 1. Read a lot – People have been writing for a long time, and chances are that you aren’t the first person to think about what you want to write about.  Reading other authors sharpens your perspective on subjects you want to write about, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=duncanwrites.wordpress.com&amp;blog=7054210&amp;post=39&amp;subd=duncanwrites&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>12 steps for being a better writer, completed for a class.<br />
<span id="more-39"></span></p>
<p>1. Read a lot – People have been writing for a long time, and chances are that you aren’t the first person to think about what you want to write about.  Reading other authors sharpens your perspective on subjects you want to write about, but also keeps your writing fresh – hopefully by reading others, you keep tabs on overused clichés and overlaps in content or form.</p>
<p>2. Know your favorite authors and why they’re your favorite authors – I suspect that if you write, you’ve taken inspiration from some source that inspired you to write.  Go back to those writers and think about what spurred on your passion.  Keep track of why you like them – not just as stylistic source material, but to understand what makes readers want to keep reading.</p>
<p>3. Take notes – both on the books you see and the people you see.  Memory is in short supply, and the act of writing something down allows you to build on a passing thought by putting a bead on it and giving it extended thought.  This provides fodder for content and constructive reflection on ideas that strike you but may need substance to become viable foundations for larger pieces.</p>
<p>4. Outline obsessively – There should be no rush to finish off an article, and I think the final drafting stage should be the shortest step of what you do. Much of the final product should come cut and pasted from outlines and documents where the bulk of your thinking occurred.</p>
<p>5. Think about media – this means understanding the audience’s experience of reading in the format you select to write in.  Reading on the printed page directs thought in different ways than reading on the internet; your work should embody conventions that best suit the medium you – and the reader – have selected.</p>
<p>6. Don’t be afraid to change tack mid-work – your original inspiration isn’t a sacred calling that you must follow to the ends of thought.  If an opportunity presents itself to write a compelling piece on a subject you never intended to, it may be because your first idea wasn’t the real story, and you should shift gears.</p>
<p>7. Don’t look for bad guys and good guys – simple narratives are boring and clichéd caricature turns readers off.  In my experience, unambiguous good and evil almost never exists, and hammering human existence into simple narratives means your story will probably fail, in a myriad of ways.</p>
<p>8. Write every day, or as often as possible – keep the wheels greased linguistically.  You have to practice constructing ideas to find your best work and best ideas.  Treat daily writing as a process of sifting out the good ideas from the bad, and a sandbox for new techniques.  These shouldn’t be published necessarily, but having folks read daily writing might be helpful.</p>
<p>9. Don’t just be a writer – have a passion that allows you to put fervor and purpose in your writing.  I try to take the “80% of life is showing up” maxim to heart, in the sense that you only get an ear in on 20% of the interesting bits of life by spending all your time thinking about/through writing.  I’m an activist, and connections generated through my activist work has generated a huge number of valuable leads, numbers, and story lines that can distinguish a good article from a great one.</p>
<p>10. Take note of the environments where you work best, and create those environments – this is a point about work environments.  Think about pieces you were happiest with, and then think through the environments that let you produce your best work.  Seek out environments like those to write in the future.  I personally know I work best in semi-public, quiet spaces like libraries or study rooms, with people around but research resources at hand.</p>
<p>11. Never hold your best stuff. (Stolen from Clay Felker) If you have a scoop, a story, or a good idea, run with it.  Holding off working on or publishing a good story helps no one, least of all yourself.</p>
<p>12. Treat writing as something more (and less) than a calling. Understand and feed your passion, but know there is a utilitarian angle to what you’re doing.  Your passion and inspiration only take you so far – you must take into account the needs of your readers, and the needs of an industry that surrounds writing and publishing.  Understand the ends-means function of writing from the get go, and you’ll be more successful from the outset and  get over the feeling of soul-burnout in the long run.</p>
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			<media:title type="html">phydeux</media:title>
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		<title>The Ideology of Communication in the Public Sphere</title>
		<link>http://duncanwrites.wordpress.com/2009/04/30/the-ideology-of-communication-in-the-public-sphere/</link>
		<comments>http://duncanwrites.wordpress.com/2009/04/30/the-ideology-of-communication-in-the-public-sphere/#comments</comments>
		<pubDate>Thu, 30 Apr 2009 00:57:16 +0000</pubDate>
		<dc:creator>phydeux</dc:creator>
				<category><![CDATA[Academic]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[creative activism]]></category>
		<category><![CDATA[new politics]]></category>
		<category><![CDATA[public sphere]]></category>
		<category><![CDATA[the image]]></category>

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		<description><![CDATA[All politics contains and is contained by an ideology of communication that determines the character, location and tone of what is understood as ‘political’ about the world.  An ideology of communication is integral to politics because communication shapes the collective action of communities; an ‘ideology of communication’ essentially constitutes the perceived connection from words, symbols [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=duncanwrites.wordpress.com&amp;blog=7054210&amp;post=16&amp;subd=duncanwrites&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>All politics contains and is contained by an ideology of communication that determines the character, location and tone of what is understood as ‘political’ about the world.  An ideology of communication is integral to politics because communication shapes the collective action of communities; an ‘ideology of communication’ essentially constitutes the perceived connection from words, symbols and images to the action of human subjects.  This ideology is necessarily multifaceted, involving questions of agency, proper discourses and community.  I believe contemporary society remains in thrall to an ideology of communication that is a model of the spectacular ‘public sphere.’  Under an overarching system of alienated spectatorship politics that operates via the production of attention, this model selectively articulates at least two different forms of human-political agency under capital: the rational speaking subject of bourgeois industry, and the more contemporary consumer subject.  In order to engage in an earnest confrontation with capital, radical politics must explore and articulate new forms of struggle beyond the spectacular public sphere, identifying points of unity and potential in communication that re-orients the subject in collective action.<br />
<span id="more-16"></span> The discourse of the public sphere necessarily involves a kind of alienation because it projects an image of ideal communication, persuasion and politics that takes place in a similarly idealized public space – none of which can be accessed by the concrete or ‘imperfect’ human subjects who engage in political action, resulting in a real sense of disempowerment.  The spectacular public sphere opens political agents to post-political critiques (in the sense of being disengaged and directed at actions in the past) of form and strategy driven by the projected image of idealized communication or persuasion.  These post-political critiques divide out the ‘ends’ of politics from the ‘means’ that describes how communication/persuasion actually takes place in comparison to the idealized communication of the public sphere.  The description of a connection between means and ends also constitutes a connection between conviction and action, as well as the mind and body.  Rhetoric about the public sphere operates in terms of a discourse of abstract concepts interacting in open space, but it also acts directly on the bodies of political subjects, normatitively articulating the desires and discipline the body should take on in politics.  The post-political critiques of action in the ‘public sphere’ are a symptom of interactive conventions that associate certain norms of communication with ‘legitimate’ discourse.  These conventions develop in the practice of politics as a subtext that sustains authority.  Every political statement implicitly contains within it adherences and departures from the anticipated styles of legitimate discourse that interact with the identity of the speaker, their subject of discourse, and their audience.  The process of stylistic disciplining of political subjects constitutes the real impact of an ideology of communication: certain people remain unintelligible to power because of their ways of speech, others are required to adhere to norms of presentation that undermine their goals, essentially outlawing certain topics of discussion from politics entirely.  The ideology of communication acts on the intelligibility and efficacy of politics, and acts as a limit on the imagination of possible changes.<br />
The norms of the public sphere construct a subject amenable to capital – a subject that speaks in places and styles that suit a particular kind of media environment, and who is forced to conceive of their body (labor) in ways that supports capitalist production.  The most salient model of the contemporary public sphere emphasizes the power of deliberation through a disciplined increase in the amount of discourse in circulation.  Within certain stylistic boundaries, the argument essentially reduces to ‘more speech will lead to better decisions by forcing ideas into competition and allowing us to choose the best among them.’  This manifests itself often in a defense of ‘free speech’ and idealized visions of debate or pluralized public deliberation, as well as in critiques directed at ‘hastiness,’ ‘shutting down discussion,’ and an ‘uninformed citizenry.’   This element of contemporary ‘public sphere’ rhetoric reflects a capitalist media environment that relies on attention to drive profits via advertisement sales.  For-profit media outlets rely on increased number of issues and high circulation to increase ad rates, and so have a vested interest in a certain proliferation of voices and an expansion of debate.  This does not mean that the argument for free speech emerged exclusively from a class owning the media’s means of production, but rather that its persistence and efficacy depends on its amenability to the contemporary capitalist media environment. This rhetoric of expanding discourse posits a kind of straightjacket on possible avenues for political resistance, requiring that struggle be spoken of and intelligible, itself already a concession to the environment of capital in media. In this sense, the image of the public sphere becomes spectacular:<br />
[The spectacle] is the omnipresent celebration of a choice already made in the sphere of production, and the consummate result of that choice.  In form as in content the spectacle serves as the total justification for the conditions and aims of the existing system. (Debord, 1967 p. 13).<br />
The illusion of choice through deliberation is only a product of a decision about how politics must proceed established in the means of production; the only thing necessarily excluded from the spectacular discussion is the spectacle itself, which undergirds the need and conventions of ‘discussion’ in the first place.  In this sense, it continually affirms that “Everything that appears is good; whatever is good will appear” by way of “its monopolization of the realm of appearances”  (Debord, 1967 p.15). More appearances more often becomes an axiom of political strategizing.<br />
The spectacular model of the public sphere also implies a certain model of voluntary association that shapes our understanding of political action as the product of an engaged individual citizens in civil society, where people come together to ‘act on their beliefs.’  In this sense, politics becomes a kind of action undertaken as the expressive product of people volunteering outside of their involuntary duties as worker or family member, who come together because of their beliefs, understood as an internal and abstract expression of what should be. It sidelines the process of subject formation that frees up some for ‘volunteering,’ and ties down others at work or home.  The key actor for this model of the public sphere and civil society is the opinion forming and expressive individual subject, who engages in deliberative persuasion to overcome the opinions of their adversaries, and who coincides with a fragmentation of lines of solidarity between individuals in community via their collective labor or identity.  ‘Proper politics’ occurs in terms of purely abstract (alienated) beliefs or principles.  The abstract qualities of the spectacular, alienated subject of politics imposes a model of ideal persuasion on politics as well: persuasion involves a meeting of minds via discussion.    ‘Successful’ persuasion in the public sphere involves conscious agreement by subjects in dialogue, and ignores the productive role of social norms in shaping how and why decisions will be made: “The circulation of public discourse is consistently imagined, both in folk theory and in sophisticated political philosophy, as dialogue or discussion among already co-present interlocutors … the point is that the perception of a public discourse as conversation obscures the importance of the poetic functions of both language and corporeal expressivity in giving a particular shape to publics” (Warner, 2002 p.115).  The abstract idealization of ‘good’ communication and persuasion means that the public sphere of deliberation cannot fully exist – politics is fraught with idiosyncrasies of time and place, arbitrary opinion formation based on prejudice, and simple inability to place everyone in dialog with each other.  ‘Miscommunication’ will occur.  Despite this, decisions occur, change happens – only in terms that we do not consider to be properly ‘political,’ and the model of politics carried out through the public sphere constitutes a selective attention to a limited number of social systems that determine the course of our lives.  As in Debord’s analysis above, most significant among these issues elided by our norms of public deliberation is the process of producing the spectacular subject of ‘politics.’<br />
The analysis above should not suggest that the public sphere exists as an ahistorical norm.  It has been subject to shifts roughly in line with shifts in the means of production under capitalism.  The classic subject of the public sphere engages in purely rational deliberation via interrogative dialogue.  The deliberation proceeds in a linear, logical fashion akin to written communication, enumerating points and carefully delineating differences of opinion.  This particularly cerebral, ascetic mode of practicing politics imposes a particular discipline on the body.  The ideal body in communication remains still during discussion, acting only through words (and in this way sneaking in concepts of ‘non-violence’), and produces on demand according to the situation – responding on cue, speaking in time limits, etc.  This highly regulatory rational body corresponds roughly to bourgeois industrial capitalism, with neatly regulated and rational systems of production.  This discourse explicitly directs itself at an abstract greater good which it claims to serve by way of personal distance from arguments –it excludes rhetoric that implicates the specific bodies of its interlocutors as the pejorative ‘ad hominem argument,’ a norm of argumentation derived from the print-media that undergird it.  In this sense, the discourse expects and demands uniformity imposed on the body of its subjects.  All subjects should perform the labor of ‘debate’ in the same way, just as factory workers or prisoners are subject to the uniform gaze of their overseers.  Despite its relative decline in favor of a consumption-driven politics, this form of deliberation still has salience for our contemporary political world.  For example, on February 20th of this year, immediately after the Kimmel Occupation, Opinion Editor for the (mass produced) Washington Square News Damon Peres published an article that described the occupation  as “self-indulgent and childish,” rejecting “legitimate conversation with school administrators,” and requesting a “disorganized list of demands.” This echoes the idealization of order, self-control and dialogue in the industrial public sphere, and shows how a criticism of the presentation of a political protest becomes an argument for order, regulation, and a particular kind of relationship to the self.  Not only are these values held outside of discussion, but it provides the outlines for the core values/issues which will remain explicitly beyond debate: social systems that create order, organization or perfect the rational subject via medicine or other means will likely remain unquestioned in the reporting of such a writer.<br />
Despite these echoes of the industrial, textual public sphere, the primary axis of discussion about contemporary politics embraces a less rational, but rather image and desire conscious version of the subject.  This model of the public sphere emphasizes communication that proceeds by way of creating and assuaging desires.  It speaks more directly of subjects who want to be comforted rather than confronted, and seeks a vague consensus that lets everyone get what they want.  This version of the public sphere also engages explicitly with questions of presentation, and makes a ‘public image’ explicitly a subject of discussion.  The meta-discourse of ideal communication that arises out of this contemporary public sphere articulates a subject of consumer capitalism, who seeks the fulfillment of individual desire as a way to avoid conflict with others: the post Cold War consensus of neoliberalism essentially reduces to the argument that everyone can meet their particular desires through consumption. Critiques of political action in this public sphere follow from the principles of contemporary globalization rhetoric, that we can and should respect a certain kind of individual desire fulfillment, and the politics should be consistent with the needs of subjects to hold onto their desire and practices.  It encourages a kind of self-righteous narcissism, on the part of the named opponents of a political action, who defend their right to desire differently.  Critique of political action by non-participants follows from the values of consumption as well – failure to achieve immediate consensus (gratification) through an action gets articulated as ‘polarization,’ the inverse of our End of History consensus under consumer capitalism that lets everyone carry out their desire in harmony.   The rise of consumer capital also involves a shift in the orientation of subjects towards media products.  Whereas under the industrial, textual public sphere published texts were seen first as paths to some truth and consumer products second, our contemporary environment views media products primarily as objects of consumption themselves, now framed as ‘entertainment.’  Entertainment rhetoric plays off of the above discourses about ‘proper’ political conviction to embrace a kind of ironic, image conscious lethargy that manifests itself as ‘snark.’  The heavy, truth-laden discourse of the industrial public sphere becomes the target of consumers seeking lightness of pure desire.  The website Gawker also covered the February occupation in Kimmel, and took a radically different approach than the WSN’s critique.  Their first post (“Revolution Strikes the NYU Food Court”, Feb 19th at 11 am) whose tone carried throughout their coverage, ‘reported’ the event using a caricature of classic 1960s student activist rhetoric, with the subtext that the reader should not take the occupation seriously, but also enjoy it as a misguided anachronism that simultaneously affirms the up-to-date relevance of the reader, who rebels against the sanctimony of ‘proper’ politics.  Debord neatly identifies how this expands the scope of life subject to the consumption-production of the spectacle: “A smug acceptance of what exists is likewise quite compatible with a purely spectacular rebelliousness, for the simple reason that dissatisfaction itself becomes a commodity as soon as the economics of affluence finds a way of applying its production methods to this particular raw material” (Debord, 1967 p.38).  By positing a consuming subject this manifestation of the spectacular public sphere resigns itself from the space of politics &#8211; convictions and opinions appear without any attempt to describe their origins, or evaluate their relative worth.  The consuming subject focuses back onto the individual body as a site of self-construction and image consciousness, both key values for producing a consuming subject.<br />
These critiques require a new ideology of communication that provides alternative conditions for thinking about the subject in human collective action that would not make it amenable to capital.  The process of finding a new ideology of communication involves seeking out new basis for the perceived legitimacy of communicative action, that does not draw from a rational defense of universal good (industrial), or pluralistic desire fulfillment (consumer).</p>
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			<media:title type="html">phydeux</media:title>
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		<title>Sit Down, Pay Attention! &#8211; Attention as Power in the Public Sphere</title>
		<link>http://duncanwrites.wordpress.com/2009/04/14/sit-down-pay-attention-attention-as-power-in-the-public-sphere/</link>
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		<pubDate>Tue, 14 Apr 2009 01:02:05 +0000</pubDate>
		<dc:creator>phydeux</dc:creator>
				<category><![CDATA[Academic]]></category>
		<category><![CDATA[boorstin]]></category>
		<category><![CDATA[pseudo events]]></category>
		<category><![CDATA[public sphere]]></category>
		<category><![CDATA[spectacle]]></category>
		<category><![CDATA[the image]]></category>

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		<description><![CDATA[In contrast to Daniel Boorstin’s approach to analyzing the pseudo event, I would like to examine the pseudo event as a kind of event that exists primarily in terms of the audience attention that develops after the ‘fact’ of its happening. Pseudo events only exist after ‘the facts’ reported by news media and gossips, becoming [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=duncanwrites.wordpress.com&amp;blog=7054210&amp;post=18&amp;subd=duncanwrites&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>In contrast to Daniel Boorstin’s approach to analyzing the pseudo event, I would like to examine the pseudo event as a kind of event that exists primarily in terms of the audience attention that develops after the ‘fact’ of its happening.<br />
Pseudo events only exist after ‘the facts’ reported by news media and gossips, becoming events only by way of interaction with an audience. I agree with Boorstin’s description of a pseudo event as an event “planted primarily (not always exclusively) for the immediate purpose of being reported or reproduced” (Boorstin, 1961 p. 11) However my analysis departs from Boorstin’s discussion of the pseudo event, which emphasizes the pseudo event as a premeditated, planned occurrence carried out by people with power (Boorstin, 1961 p.11).  Despite this focus on premeditation, his description of the event’s  “ambiguous” “relation to the underlying realty of the situation” (ibid.) demonstrates the limited role that planning and executing an ‘event’ plays in the constitution of the pseudo event.  Events of all kinds have always been premeditated and thought of symbolically – what changes with the pseudo event is the premeditation of an audience’s caring about an event, and the use of symbols and people already constituted as meaningful as props to produce the audience’s willingness to pay any mind to the event. Indeed, in discussing the pseudo event, Boorstin almost seems to get tongue tied trying to describe exactly what matters about them – throughout The Image, only his section dealing with pseudo events engages significantly with issues of ‘facts’ and ‘truth,’ while others engage with issues of titillation and audience-building.  He seems caught up in the language journalism provides for itself – the language of objective truths, facts and self-evident events. I would like to contend that ‘news’ pseudo events are merely one genre of a larger ‘pseudo’ environment that includes the discourses of celebrity, self-fulfilling prophecies and corporate image-making Boorstin describes elsewhere in his book.  Most broadly, the implication of his analysis can be summed up as: “the rise of pseudo-events has mixed up our roles as actors and as audiences” (Boorstin, 1961 p.29).  I intend to analyze the pseudo event largely through the lens of the overlapping roles of actors and audiences.</p>
<p><span id="more-18"></span><br />
In the same way that celebrities – the human pseudo-event – are always our contemporaries (Boorstin, 1961 p.63), the political pseudo events are necessarily contemporary, relying on current events and still-circulating symbols of power or prestige to work.  Boorstin’s own examples suffice to show how this is true.  He gives a long invective on the subject of Congressional press releases, which only involves current sitting members of Congress (p. 18); his claims about the access of the President to the press-corps similarly concerns the person currently filling the office (p. 40).  Additionally, his leading example of an event planned to ‘celebrate’ the 30th anniversary of a hotel opening (p. 9-10) demonstrates how the pseudo event requires a relationship to an audience for its existence and efficacy, and the rough dynamics of how the pseudo event creates attention.  What makes the celebration he describes an ‘event’ is the participation of a “prominent banker, a leading society matron, a well-known lawyer, [and] an influential preacher,” all of whom already exist as agents of a public, and allow news of the event to circulate within the audiences that already recognize them.  The language used to describe the significance of the participants in the celebration reveals the real nature of the pseudo event itself, which relies on the self-reflective attention of the audience &#8211; their ‘prominence’ in ‘society’ itself makes the event ‘well-known’ and therefore ‘influential.’  The contemporary-ness of the pseudo event should focus our attention on the means by which attention gets created by the mediums that cover and produce the news.<br />
I believe that the advances that connect pseudo events and ‘images’ described by Boorstin when he says “[t]he very same advances that made [pseudo-events] possible have also made the images …more vivid, more attractive, more impressive and more persuasive than reality itself” (p.36) in fact constitute a unified media environment driven by certain technological and economic relationships that constitute contemporary power, persuasion and the public sphere.  Before getting into the connections between pseudo events and other mediated realities described by Boorstin, I’d like to briefly address the nature of these technological/economic advances.  Boorstin describes the development of a “Graphic Revolution” whereby the production of images and news becomes an industrial affair, with steam-powered presses fed by supply lines of telegraphs stretching across the world (p. 12-13). He also puts significant weight on the founding of the Associated Press, at which point “news began to be a salable commodity” (Boorstin, 1961 p.13).  The pseudo event becomes possible because of an attitude and aesthetic of news-production derived during this period of industrialization.  However, I believe Boorstin overlooks one crucial point: what becomes a commodity during the ‘graphic revolution’ is not news, but rather audiences.  The technologies that developed to “make, preserve, transmit, and disseminate precise images” (p. 13) developed in order to market those images to audiences that news outlets then marketed to advertisers.  They became feasible investments because they sparked (and created) a kind of interest that became highly salient with desirable audiences for advertisers. Newspaper owners stoked the fires to sell more papers and reach a bigger audience for its advertisers by beginning to issue more ‘updates,’ and adopting a sensationalism-friendly style.  The key point of the role of the audience in the economic production of the news means that we must supplement Boorstin’s thoughts on the cultural production of the news:  “With more space to fill, [the newsman] had to fill it ever more quickly.  In order to justify the numerous editions, it was increasingly necessary that the news constantly change or at least seem to change&#8230; News gathering turned into news making.” (Boorstin, 1961 p.14)  In order to understand why and how news outlets cover pseudo events, it must be understood that ‘news making’ also became ‘audience making’, a development that continues to shape the nature of political and corporate power.<br />
The pseudo event as described by Boorstin is consistent with a larger media environment that commodifies not just the relationship of an individual to information, but the relationship of consuming individuals to other individuals consuming that information.  The creation of fast-updating media markets by way of accelerated production of titillating news products accounts for Boorstin’s introductory note, as well as most of the rest of his book.  In the introduction, Boorstin describes a series of lofty, contradictory expectations that he claims Americans hold with regard to their world.  For instance: “We expect everybody to feel free to disagree, yet we expect everybody to be loyal, not to rock the boat or take the Fifth Amendment. We expect everybody to believe deeply in his religion, yet not think less of others for not believing” (Boorstein, 1961 p. 4).  The explanation lies precisely with the media-production system described above, which uses a series of emotionally charged stories with rapid turnover to sell news.  The tensions between the points that Boorstin lists is never felt by the individual media consumer, because each position is held in terms of the atomized, quickly disappearing news story.  The sections of The Image following that on pseudo events expand more effectively on the role of the audience in contemporary society.  Here I will seek to show how these connect back to the pseudo event as a audience-centric event.  First, the celebrity as someone who is ‘famous for being famous’ turns a relationship to an audience into a source of outreach to larger audiences, personal cachet and income – “Celebrities are made by the people. … The celebrity is a tautology” (Boorstin, 1961 p.74). Thinking of celebrity as the product of audience participation explains the intimate love/hate relationships fans develop to what they know to be a façade of self image celebrities construct – their expressions of love and hate assert the basic power they have to create or destroy the celebrity in all of their splendor. A similar dynamic emerges in the concealing/revealing dialectic in news reporting, which often goes ‘behind the scenes’ to expose how politicians pander to the audience they need.  Additionally, the rise of best-seller culture (decried by Boorstin at p. 119-125) shows how popularity, understood as the interaction of a text with a large general audience, becomes a commodity all of its own.  In a similar though distinct vein, the proliferation of ‘digests’ that Boorstin sees as the fragmentation of originality in fact reflects a similar kind of attention-commodification.  The digest trades in assumptions about audiences and popularity – articles get reprinted based on where and among whom they previously circulated in other publications.  The ‘quality’ of those publications – and the assumed social significance of their audiences – impart importance onto the texts published within them, making them candidates for cataloging in the digest.  The attention of audiences becomes an explicit commodity in these types of texts.<br />
Finally, I would like to examine the political issues associated with this understanding of our contemporary media environment.  In particular, I would like to focus on how attention and popularity constitute their own particular kinds of power.  As a corollary to this, I would like to claim that ‘discussion’ and ‘debate’ do not serve to deconstruct power, but rather manifest it by focusing further attention onto the subjects at the center of the particular debate.  The not-quite-un-truth of the pseudo event shows how the interests of established power centers lie not in concealing the truth, but rather controlling the terms under which it gets discussed, and furthermore encouraging more discussion about it in the terms desired.  Additionally, the reliance of the pseudo event on previously circulating symbols of community means that the pseudo event creates a kind of self-fulfilling prophecy of notoriety for the participants involved, which becomes its own kind of continuing political power.<br />
The central thrust of my argument is the connection between attention and power.  I understand power very broadly, defining it as ‘the ability to determine what is possible.’ The pseudo event determines what is possible by determining what people even know by controlling and focusing attention.  For example: Boorstin cites the case of Joseph McCarthy, who was able to stage a national communist witch hunt and set the tone of anticommunism for decades, despite the fact that he was one of the most written about – and condemned – public figures of his times (p. 22).  His power came from the ability to quickly and effectively publicize his accusations in such a way that refutations would be un-remembered or only able to mitigate the impact of the accusations.  He accomplished this goal simply by having a bigger megaphone for his platform, and in the process became enormously influential.  Similarly, despite the pseudo-ness of the current presidential campaign process, and the need for only “pseudo-qualifications” (Boorstin, 1961 p.43), the winner still gets to be President of the United States.<br />
Popularity – creating and holding attention – becomes a political and economic commodity.  Barnum turned even bad press into ticket sales.  George Bush turned mixed (virulently pro- and anti-) press into a certain kind of cachet in the 2004 election. His ‘flip-flopper’ attack against John Kerry essentially reduced to a rephrasing of Bush’s relative well known-ness in comparison with his opponent: while voters may hate Bush, at least they know him, with Kerry they have an unknown.  This shows how mere familiarity with a public figure constitutes a kind of power that translates into political success. The power of popularity and familiarity manifests itself in other ways, such as the intractability of incumbents in US Congressional elections, where largely disliked but familiar members of Congress have something like a 90% and up re-election rate.  Attention plays a role in corporate power as well – in the successful Schlitz beer campaign highlighting the bottles’ ‘steam-clean,’ the effectiveness of the campaign seemed to be merely its mildly compelling narrative and substantial ad budget, rather than any intrinsic significance to the claim (Boorstin, 1961 p.215).  The purpose of the claim about steam-cleaning is to provide a pretext to discuss the Schlitz name at the expense of discussion about other beers.  While not relying on explicitly bad press but rather irrelevant press, Schlitz still embraced the adage ‘any press is good press.’ The ability of attention to create and sustain credibility is at the core of modern political power.<br />
Boorstin hints at the attention getting/focusing function of pseudo events through his discussion of their relation to reality, where he claims that “counterfeit happenings tend to drive spontaneous happenings out of circulation” (Boorstin, 1961 p. 40).  The ‘driving out’ occurs as the news production process shifts to the development of a large number of emotionally compelling stories, at which point our understanding of power should shift from the production of truth and lies to the production of attention, and the relationship to audiences.  In this sense, I would like to reverse Boorstin’s claim about pseudo events and propaganda- while he says that “Pseudo-events appeal to our duty to be educated, propaganda appeals to our desire to be aroused” (Boorstin, 1961 p.34), I believe propaganda appeals to our desire for education or ‘truth’, while pseudo events appeal primarily to our desire to be aroused (or at least engaged by the news over our morning coffee).  Ultimately, I believe this arousal-economy of attention defines some of the key features of contemporary political power.  Understanding the salience of mere attention in shaping political power allows us to think differently about how to create resistance.  Too often, political movements attempt to approach power as if it operated using propaganda as I described it – they attempt to unmask for the sake of discovering truth.  Understanding this mode of power as passé is vital to crating more effective resistance to power. From this point, we can take that efforts at refuting or disproving the intended meaning of a particular political act often reinforces its power by allowing the act to frame your discussion and by focusing more attention upon it.  Efforts to ignore the act will likely also fail (and usually involve a kind of refutation to encourage people to ignore it).  The most salient resistance might be the staging of counter pseudo events that challenge the single narrative established by a prior act, without directly engaging or refuting it.  Resistance must take into account the economy of attention as one of the keys to power, and begin to deconstruct it productively.<br />
Boorstin’s description of the rise of the pseudo event offers an important jumping off point for understanding the constitution of power.  The importance of attention to the function of the pseudo event should signal a reconfiguration in the theorization and practice of politics both.</p>
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			<media:title type="html">phydeux</media:title>
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		<title>How Randomness Fooled the Market</title>
		<link>http://duncanwrites.wordpress.com/2009/03/23/how-randomness-fooled-the-market/</link>
		<comments>http://duncanwrites.wordpress.com/2009/03/23/how-randomness-fooled-the-market/#comments</comments>
		<pubDate>Mon, 23 Mar 2009 02:11:02 +0000</pubDate>
		<dc:creator>phydeux</dc:creator>
				<category><![CDATA[Academic]]></category>
		<category><![CDATA[black swans]]></category>
		<category><![CDATA[economic crisis]]></category>
		<category><![CDATA[finance]]></category>
		<category><![CDATA[fooled by randomness]]></category>
		<category><![CDATA[risk]]></category>
		<category><![CDATA[Taleb]]></category>

		<guid isPermaLink="false">http://duncanwrites.wordpress.com/?p=44</guid>
		<description><![CDATA[The economic crisis of 2008 initiated a deluge of discussion about the reasons for economic collapse and the ability to predict those causes and then prevent them.  Nassim Nicholas Taleb offers an interpretation of human economic nature that suggests another approach to thinking about how to contain the possibility for large-scale economic crisis – one [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=duncanwrites.wordpress.com&amp;blog=7054210&amp;post=44&amp;subd=duncanwrites&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>The economic crisis of 2008 initiated a deluge of discussion about the reasons for economic collapse and the ability to predict those causes and then prevent them.  Nassim Nicholas Taleb offers an interpretation of human economic nature that suggests another approach to thinking about how to contain the possibility for large-scale economic crisis – one that emphasizes reducing exposure to high-impact inevitable ‘black swan’ events and checking the nature of human agency on thinking about the future.  The current economic crisis represents a failure to account for low probability, high impact ‘outlier’ events that introduce systemic risk into the economy – a failure that results from the use of tools that provided poor predictions about risk based on inadequate information, coupled with a kind of survivorship bias that widened the risk to the economy on the whole.</p>
<p><span id="more-44"></span><br />
The basic failure that led to the economic crisis we face today is the failure to account for the possibility of unforeseen risk.  Taleb believes risk should be understood as the average of all potential outcomes of a transaction, accounting for the magnitude of relative gains and losses, where a large but rare gain or loss can overwhelm the impact of small but more likely outcomes.  He believes large gains or losses exhibited in the market can be understood as necessarily a product of the random chance of eventually inevitable outlier events, rather than the particular skill of investors.  For this reason, Taleb believes investors or traders should avoid entering into trades that introduce potentially excessive risks. This shows why the failure to account for the possibility of large risk is different than the inability to see risks developing – the nature of risk means that future outcomes cannot be fully known – but rather that the massively over-leveraged, interconnected financial system took bets of a certain systemic magnitude that made some kind of crisis occur.  The phenomena of traders ‘blowing up’ occurred on a large scale, the product of the asymmetric nature of catastrophic, black swan events.  Traders in the market collectively made decisions to engage in certain types of risk (Credit Default Swaps, the re-packaging of sub-prime loans in an originate-to-sell fashion) that exhibited a bias towards counting short-term visible gains and underestimating system-wide losses that outweigh temporary gains.  Taleb articulates an argument that explains that a small risk of a massively negative event outweighs the gains of engaging in certain activities – the paradigmatic example of such a game being Russian Roulette with a payout for surviving a pull of the trigger (p. 99).<br />
The psychological explanation for engaging in economically risky behavior leading to the current crisis is essentially a kind of bias towards tangible results and the development of a fast-paced, 24 hour media environment surrounding investing today, both of which over-emphasize the meaning of largely random information.  In a ‘Bull’ market (Taleb problematizes this term for precisely its inability to measure invisible but massive risk, but it serves to explain a situation where generally investors make profit as a class), pervasive short-term ‘evidence’ of investors taking profits distracts or blinds them to systemic risks yet to materialize – even when those systemic risks might erase the value of their assets over the longer-term.  Basicly, the impact of short term random fluctuations of the market led to a systemic blindness to Black Swan type outlier events that would later be dismissed as random or highly unpredictable.<br />
The debate between Robert Schiller and George Will that Taleb describes on pages 37-39 explains how this bias towards tangible but random results manifested itself in the media environment of traders and investors, defined by constant news coverage and instantaneous news stories that focus on near-trivial information.  Journalists like George Will are bound by daily deadlines that force them to make judgments on gains and losses on the market that probably in fact are meaningless to the overall trends of the economy.  However, this short term information exhibits a pull on the consciousness of investors disproportionate to its utility because of its vividness in comparison with yet-exhibited losses, and the effort of journalists to impose a story onto events. Distortion comes in the form of statements like “the market today rose by 75 points on information that such-and-such company’s quarterly earnings exceeded expectations” that give small insignificant events meaning.  The small-scale frame of financial gains led to the relative blindness of traders to the inevitability of a crisis at the level the entire over-leveraged system, exactly demonstrating Taleb’s claim that “the problem is that we read too much into shallow recent history, with statements like ‘this has never happened before,’ but not from history in general (things that never happened before in one area tend eventually to happen)” (p. 108).  Widespread profit-taking, occurring in an emotionally manipulative media environment led to the mis-perception of large risks to the economic system with the potential to wipe out profits.<br />
Bankers and traders used specific tools in the years leading up to the emergence of the current crisis that exhibited some of the most dangerous aspects of risk misperception in a random environment fraught with the potential for outlier events.  Generally, the current economic crisis could be seen as a crisis of a variety of “superstitions” (p. xl) – about the rising price of homes, the pricing and rating of economic tools, and the role of CDS &#8211; that were at the core of theories about investing previously.  One key piece for explaining the relationship of randomness and risk perception to the current crisis is “the formula that sunk Wall Street,” a copula formula for assessing the risk of default in securitized loan tranches, using the current price of Credit Default Swaps for certain companies to rate securities (Salmon, 2009). The formula coupling CDS to ratings made fast and easy ratings of collateralized debt obligations that underestimated the risk of default by way of a poor data set, and ignorance of the possibility of linked, snowballing losses.<br />
The copula formula demonstrates the worst of the biases introduced by “low resolution” risk assessment tools (Taleb, 2004 p. 231).  Specifically, CDS is a recent financial innovation, at least at the trading levels that would lead to a useful measure for rating default risk. The relative newness of the product means that a connection between the rise and fall of CDS with defaults could not be made as firmly as necessary to justify the level of risk assumed by companies issuing/buying on the ratings provided.  Companies issued ratings to borrowers and lenders which could not establish within a reasonable margin the real risks or gains involved.  Taleb explains the problem with short term measurements in the analysis above, but the potential for snowballing once-in-a-lifetime risks associated with securitization of mortgages made the copula particularly virulent in our current market.<br />
Subprime loans originated by banks with an ‘intent to distribute’ fed a great deal of financial growth before the current crash, as securities built on the asset of a home with rising value were traded and re-traded between banks.  The assumption of rising home values undergirded the perceived strength of these loans, where even in the case of default assets could be recovered at a higher worth than initially invested, covering for cases where assets could not be recovered.  The entry of large number of home buyers via adjustable rate subprime loans buoyed the price of homes while simultaneously setting up a domino effect of linked events that could create catastrophic risk.  The character of risk associated with loan defaults and foreclosures tied the fate of relatively well-off borrowers and lenders to subprime borrowers on adjustable rate mortgages (ARMs). The use of ARMs meant that large numbers of borrowers would exit the market and increase housing supply on regular schedules as their mortgage rates increased drastically leading to defaults.  Once these borrowers defaulted and foreclosed, they exited the market and deflated demand while increasing supply of homes &#8211; brining down prices.  Also, foreclosed homes tend to begin bringing down the value of homes around them dues to lack of upkeep and scavenging crime.  As home values began to cease increasing or drop, borrowers expecting to refinance high-interest loans found themselves unable to post adequate collateral to get new loans, forcing them to default and leading to more declines in home prices.  From there, the dominos fell, leading to higher than expected foreclosure rates, undermining the quality of supposedly highly rated collateralized debt obligations and disrupting the balance sheets of all the banks associated with subprime loans.  The basic problem at the core of the copula formula reduces to a mismatch of CDS to bond ratings, and the inability to measure risk as an interconnected, escalating problem.<br />
The nature of the current crisis also could be understood as the product of a general survivorship bias that encouraged consumers to take on higher and higher levels of leverage and risk.  The 90s saw an explosion of retail or consumer investing, where more non-financial professionals invested their savings, pension or retirement in the stock market or other financial markets.  The proliferation of casual investing could be understood as a kind of large-scale ‘attribution bias’ (Taleb 2004 p. 243), where a long rise in the value of stocks was interpreted as  the product of a sound investment system run by well-trained professionals. In fact, the profits of investors during the bubble most likely can be explained by random chance. The mass-marketing of investment firms to casual consumers built on a kind of trust that used returns as a measurement for skill, when in fact high returns during a bull market might in fact mean little about the underlying skills of the investment professionals involved.  Popularization of investment meant that more people were exposed on a personal level to the risks investors created, widening the scope and severity of the current crash.<br />
The problems created by traders in the years running up to the crisis of 08-09 arose out of basically human but very dangerous attitudes towards risk and investment. Again, I think it’s important to emphasize that the problems do not necessarily arise out of a failure to predict large risks, which by nature cannot be fully predicted, but rather a failure to sufficiently protect against the impact of those unforeseen risks.  Risk perception and checks on catastrophe were undermined by poor measurement tools and an underestimation of the coupled impact of certain types of risk.  All this occurred simultaneous will a historically large exposure of the general population to the impact of economic catastrophe.</p>
<p>Taleb, Nicholas Nassim (2004). Fooled by Randomness. New York : Random House.</p>
<p>Salmon, Felix (2009). “Recipe for Disaster: The Formula That Killed Wall Street” Wired Magazine, February 23rd. http://www.wired.com/techbiz/it/magazine/17-03/wp_quant?currentPage=all</p>
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			<media:title type="html">phydeux</media:title>
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		<title>Strategy, Tactics and Media Change</title>
		<link>http://duncanwrites.wordpress.com/2008/12/14/strategy-tactics-and-media-change/</link>
		<comments>http://duncanwrites.wordpress.com/2008/12/14/strategy-tactics-and-media-change/#comments</comments>
		<pubDate>Sun, 14 Dec 2008 01:55:57 +0000</pubDate>
		<dc:creator>phydeux</dc:creator>
				<category><![CDATA[Academic]]></category>
		<category><![CDATA[Commucation Strategy]]></category>
		<category><![CDATA[Henry Jenkins]]></category>
		<category><![CDATA[mcluhan]]></category>
		<category><![CDATA[media ecology]]></category>
		<category><![CDATA[new politics]]></category>
		<category><![CDATA[organizing]]></category>
		<category><![CDATA[strategy]]></category>
		<category><![CDATA[tactics]]></category>
		<category><![CDATA[walter ong]]></category>

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		<description><![CDATA[In line with my concentration ‘Meaning,’ my rationale focuses on the relationship between media, persuasion, and social change.  The theoretical frame for my rationale is Jacques Ranciere’s theory on the ‘distribution of the sensible,’ which deals with limits placed on what is sayable and intelligible in politics. I believe his theory describes the impact of [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=duncanwrites.wordpress.com&amp;blog=7054210&amp;post=41&amp;subd=duncanwrites&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>In line with my concentration ‘Meaning,’ my rationale focuses on the relationship between media, persuasion, and social change.  The theoretical frame for my rationale is Jacques Ranciere’s theory on the ‘distribution of the sensible,’ which deals with limits placed on what is sayable and intelligible in politics. I believe his theory describes the impact of media technologies as systems that determine how, when and where people experience the world, as well as the messages that emerge in political discourse.  The crux of my colloquium involves a historical examination of what types of appeals become persuasive in different media environments, and what forms of association/organizations most effectively use those appeals to create social change. I will investigate these topics from the position of grassroots activist strategy, looking at these theories for hints about how to better lead and think about social change. I took this course because I knew at least 3 of the books would end up on my book list – McLuhan’s Understanding Media, Ong’s Orality and Literacy and Jenkins’ Convergence Culture (I also added Plato’s Phaedrus, but won’t be covering it in this paper).  The connections with my rationale fall under two headings, which I describe as ‘strategic’ and ‘tactical’ questions – theory about the organization of social systems in particular media environments (‘strategy’, dealing with the nature of power and its organization), and the way that media shapes persuasion (‘tactics’, how to make the most effective appeal possible).  Here, I intend to describe the most useful insights developed from these texts on my booklist read during the class.<br />
<span id="more-41"></span> The first text I will discuss is Marshall McLuhan’s Understanding Media, because it deals most broadly with the issues at the core of my concentration, and provides some of the most provocative claims about the relationships between media, persuasion and social change.  The most important claim he makes is that the ‘message’ of any medium is the change in pace or scale it introduces into human affairs (McLuhan, 1964 p. 7-8), and that media “controls the scale and form of human association and action” (McLuhan, 1964 p.9).  I use his thesis as a supplement to the theoretical framework provided by Ranciere &#8211; I take his argument about ‘scale and pace’ as an instigation to consider persuasion as a corporeal experience grounded in particular technologies, and to investigate the mutability, storage and recall of texts as a factor in social organization. McLuhan’s later arguments about the role of people as ‘servomechanisms’ of their gadgets extends this analysis of physical bodies and media as well.  Ong’s insight that “a text stating what the whole world knows is false will state falsehood forever” (Ong 1982 p.78) provides another application of McLuhan’s argument about pace and scale – how well a medium recalls old messages impacts persuasion as well.   McLuhan demonstrates that every attempt to persuade implies a demand on the target of persuasion’s body and how that person relates to other bodies.  Last, McLuhan’s argument about scale and pace problematizes and complicates the organizing metaphors for public discourse in our society – McLuhan shows that the spatial metaphor of the ‘public sphere’ necessarily requires adaptation to meet the demands placed on discourse by media technologies which re-organize where and how quickly persuasion occurs.<br />
In addition to this central thesis, McLuhan also offers useful commentary on a few specific types of media which suggest how activist tactics change in relation to changing media systems. Most importantly, McLuhan remains one of the most important prophets of electronic and digital media.  Indeed, McLuhan’s own rhetoric fits with the qualities he assigns to electronic media – “non-lineal, repetitive, discontinuous, intuitive, proceeding by analogy instead of sequential argument” (Lapham, 1994 p. xi).  His most important arguments concern the relationship of electronic media to social organization and conceptions of self.  His claim that “electric speed in bringing all social and political functions together in a sudden implosion has heightened human awareness of responsibility to an intense degree” (McLuhan, 1964 p.5) provides the most susinct version of his argument.  This claim has several intertwined strands that he carries on throughout Understanding Media.  First, the ‘implosion’ here involves awareness of global problems, condensed into a nightly news format piped into your home – essentially McLuhan’s ‘global village’ thesis. However it also involves the collapse of divisions between social spaces and kinds of communication, so that all communication becomes simultaneously personal and political, understood through parables about individual people and directed at the viewer as a social individual.  So, the ‘global village’ arises simultaneously with gossip and celebrity culture, whereby “the mass media grant the primacy of the personal over the impersonal … The greater images of celebrity posed on the covers of our magazines impart a sense of stability and calm to a world otherwise dissolved in chaos” (Lapham, 1994 p.xx).  Electronic media uses particular types of personal, imagistic and gossiping drama to organize thought about the chaotic and immense world it brings suddenly and harshly into view.<br />
Last, McLuhan provides the forerunner of Jenkins’ argument about ‘convergence culture,’ an important strategic development. Electronic and later digital/computer media develop a new ‘common sense’ able to describe a potentially infinite number of experiences under a single “ratio among the senses” (McLuhan, 1964 p.60). This common sense embodies a flattening of human communication that brings a huge variety of claims under a single media form that underlies and then organizes all other manifestations of communication – a “total and inclusive” technology (McLuhan, 1964 p.57).  At the same time, the total encompassment of human experience into a single media form sets off a “desperate and suicidal autoamputation” (McLuhan, 1964 p.43), whereby the technology makes constant demands on human energies. The effective use of the technologies requires more and more time on the part of the user to understand the huge variety of experiences made available to them; they are then forced to cede more control over information sorting to the technology due to the overwhelming glut of information.  The hyper-personalized and ‘always on’ internet social networking technologies are the latest manifestation of this trend, whereby users put almost the entirety of their social experience into digital code that further analyzes, organizes and markets that experience.  The personalized/interactive nature of electronic communication, combined with its tendency to collapse divisions between media forms provides another important strategic insight for thinking about persuasion.<br />
Finally, I’d like to identify some open questions I developed from McLuhan that might provide another angle to thinking about my rationale.  First, is it enough to merely ‘understand’ media?  McLuhan’s arguments about media as ‘make happen’ versus ‘make aware’ agents combined with his description of thought under print media suggests that merely describing the impact of changing media technologies perhaps cannot keep pace with the rate and kind of changes new technologies impose.  ‘Understanding’ the essential qualities operates under a print-rhetoric; a more productive avenue to adjust to the rapid change of media technology might be developing competency in each of their forms.  Another open question for me is the character of media change – while McLuhan describes the media change as a function of ‘irritants’ created by the prior technology, it seems possible that political/economic structures and the profit motive can impose media change on to un-irritating social situations.<br />
The second author I’d like to discuss is Walter Ong and his book Orality and Literacy.  I believe Ong’s historical and comparative analysis of oral, chirographic and print cultures speaks for itself; the primary ideas I would like to relate from this work concern the character of appeals in oral, written and print communication.  Before dealing with these arguments, I’d like to address Ong’s theory of ‘secondary orality,’ a kind of communication “sustained by telephone, radio, television and other electronic devices that depend for their existence and functioning on writing and print” (Ong 1982 p. 11).  The division between primarily oral users/audience members, and the primarily print-driven owners of technology offers a useful way to think about the tiers of power these mediums produce – the highly structured organization of print culture clashes with and overwhelms the relatively un-structured and less-explicit organization of oral thinking fostered by these technologies. The effect of this division is a hierarchical broadcast-media paradigm that centralizes control in the hands of relatively few owners.<br />
For my rationale, the most important parts of Ong’s theories are the tactical insight he offers for using print and oral communication.  His arguments about the ‘psychodynamics’ of orality and writing reveal a few key points.  First, writing and print lend themselves to detailed arguments about the character of ‘things.’ The abstraction of words into abstract labels in written or print communication (Ong 1982 p.33) means that the primary axis of political conflict in print/writing cultures becomes defining and contesting the essences of concepts, in particular the character of political communities.  Additionally, the “fictionalized” and abstract audience of print (Ong 1982 p.101) organizes thought and argumentation into a form that can happen free of and in spite of the particular context it is read in.  “Context free” discourse (Ong 1982 p.77) becomes ‘context free’ argumentation in form of logic and modern science (Ong 1982 p.125), both of which claim to be eternally true, regardless of the situation in which they are applied.  Additionally, Ong points out that irony and parody emerge out of the intertextuality of print culture (Ong 1982 p.102). The expanded and pervasive intertextuality of web communication therefore partially accounts for the recent proliferation of ironic discourse; however its centrality to contemporary (electronic) political discourse also suggests the need to reconsider how we think of the use of irony as primarily resigned and passive (a task that Jenkins partially takes up in his book, see Jenkins 2006 p. 223-227).<br />
The character of print and written persuasion comes into sharper contrast when considered in conversation with Ong’s arguments about orality.  The ephemerality of oral communication means that persuasion operates primarily by memorability; the ‘stickier’ the message, the more likely that message’s originator will accomplish their goals.  The core of oral persuasion must be making memorable thoughts, typically using “heavily rhythmic, balanced patterns” (Ong 1982 p.34).  Also, the situation and speaker-bound nature of oral communication shifts the character of persuasion from a primarily logic-driven system, to a more flexible and personal set of appeals.  Oral communication occurs “close to the human lifeworld” (Ong 1982 p.43), meaning that persuasion must operate in terms of the personal experience of the listeners and speaker. For this reason, oral communication favors appeals that deal in personal stories and iconic or formulaic characters.  In a way, persuasion becomes effective story telling rather than the crafting of formal and orderly logic.  Last, the nature of oral communication shows the power of sound in unifying a group of people.  Sound binds people together in place and time &#8211; because it is always going out of existence, oral discourse is primarily an event bound to a particular situation (Ong, 1982, p.31). (This does not speak to recorded sound, though some of the qualities of oral sound carry over to recorded sound as well) The event of sound seizes hold of bodies which exist in space, forcing a consideration of the hearer’s body and its relationship to the world (Ong 1982 p.72).  In this way, participating in oral communication necessarily implies an inescapable imposition of power, where the speaker seizes hold of a listeners body and makes it listen, unifying it with the vocal cords of the speaker.  This “putting together” via speech (Ong 1982 p.71) demonstrates the purpose of ritual songs, chants or recitations in formalized disciplinary political communication – for example, the simultaneous recitation of the Pledge of Allegiance at the beginning of the day directly and immediately includes school children into the community of the United States. It also reveals the substrate of human interaction that sustains concerts, conventions and political rallies even as other communication technologies eliminate the real need to gather to hear a speaker or music group.  Ong’s detailed investigation into the nature of oral, writing and print culture reveals the qualities essential to each form of communication.  These qualities should be seized on as tools available to<br />
The final author I would like to engage is Henry Jenkins and his book Convergence Culture.  In this text, Jenkins primarily shows how the internet and digital communication transforms content across the entire spectrum of media technologies.  He explicitly rejects the argument that all media content will eventually be delivered via a single ‘converged’ device, but instead shows how the internet dictates the overriding logic of converging content, in line with McLuhan’s arguments about the flattening of communication under electronic technology &#8211; “digitization set the conditions for convergence; corporate conglomerates created its imperative” (Jenkins, 2006 p.11).  With the internet and its fractured, contested, immense structure as the ‘common sense’ of communication, Jenkins shows how advertisers, media companies and others attempt to distinguish their products to an empowered audience.  From this central thesis I will attempt to distill both tactical and strategic insights.<br />
First, Jenkins shows the necessary complexity of messages in the culture of convergence. An empowered, critical audience means that persuaders must make appeals with multiple entry points and levels of analytical depth.  Persuaders cannot make unidimentional appeals to emotion or logic; they must provide a number of appeals embedded within each other.  For example, Jenkins describes Survivor as “television for the Internet age – designed to be discussed, dissected, debated, predicted, and critiqued” (Jenkins, 2006 p.25) – it provides a compelling narrative for casual watchers, a rich text for fans who want to invest time into further discussion, and a degree of suspense and openness that encourages discussion on other media outlets (much like the American Idol phenomena he describes in ch. 2). Persuaders must engage audiences via multiple mediums in a process of “world making” (Jenkins, 2006 p.113).  This coincides with a fragmentation of the media environment, whereby ideas filter in and out of different technologies, each managing meaning and truth in its own way (see Jenkins, ch. 3 generally).  Understanding the interaction between these technologies is the key to making effective appeals – a slick TV spot can incite either a backlash or productive discussion on blogs, and a controversy incubated among like-minded bloggers can sometimes enter into the public discourse of television. Each medium interacts critically with the others, and messages must be made to adapt to each in various forms.<br />
The fragmentation of meaning also requires using technologies with a careful eye to what they accomplish best &#8211; in Jenkins’ words, “The power of the grassroots media is that it diversifies, the power of the mainstream media is that it amplifies” (Jenkins, 2006 p.257).  Technological fragmentation occurs simultaneously with an ideological fragmentation, whereby media producers and consumers can seek out audiences that share their beliefs and isolate them from criticism arising from outside a narrow band of voices. In a nutshell, for activists, the whole world ISN’T watching, the key is to understand who is, who they influence, and whether their attention matters (Jenkins, 2006 p.211).<br />
The fragmentation of media audiences across ideology and technology creates other issues as well.  Jenkins describes a rich world of ‘knowledge communities’ that function through “voluntary, temporary, and tactical affiliations, reaffirmed through common intellectual enterprises and emotional investments” (Jenkins, 2006 p.27).  The development of these communities reveals several important points.  First, it suggests a new granularity to political discourse.  By this I mean that people no longer organize around explicit ideologies or parties, but rather organize around candidates or issues.  The notion of “adhocracies’ (Doctorow quoted in Jenkins, 2006 p.251) implies a focus on issues or projects at the core of contemporary organizing.  ‘Flash mobs’ come together for moments around a single project &#8211; they provide immediate visibility for their issue but don’t organize themselves for further action.  Similarly, political candidates that rely on internet organizing rarely become viable candidates (Barack Obama being one exception), but rather inject new topics into a campaign, by forcing new issues on to the agenda for discussion and organizing a group of voters who respond to other candidate’s stance on those issues (Jenkins, 2006 p.210).  The granulated nature of internet communication and organizing suggests that its technologies are best suited to raise the visibility of certain questions, but not necessarily to build long term sustainable movements. One reason is that the internet emphasizes communication between particularly dedicated, often physically distant interlocutors (this is why it has become particularly important to fan communities, an issue Jenkins takes up throughout his work). For instance, the development of ‘knowledge communities’ among fans who sustain each others’ mutual interest in a particular media product closely parallels the way that political campaigns use ideologically aligned bloggers to produce and sustain a message.  In both cases, independent consumers/writers get deputized into spreading a message because of their particular, self-organized devotion to a brand or campaign (see Jenkins, 2006 p.218 for an example from the 2004 presidential race). Most importantly, this suggests that not all movements should invest their energy into internet organizing, and that there is an important but limited application of convergence technologies for movement building.<br />
Jenkins also raises important broadly strategic questions concerning the nature of capitalism and cultural production.  Convergence occurs as transnational corporations, many of whom deal primarily in information and symbols, begin to exert more influence over human affairs.  This makes recognition by corporate media an important part of political intelligibility, and places battles over corporate media in the center of political struggle, despite the necessary exploitation corporate recognition implies (Jenkins, 2006 p.62).  Central to Jenkins’ thesis is the sense that consumers have acquired a range of content-delivery choices (including piracy) at the same time that the web provided an easy and accessible system for fan/consumer organizing – two factors which combined suggest that they can leverage their collective power over corporations in an unprecedented way (Jenkins, 2006 p.63). The plummeting profit margins of record labels unable to monetize new media streams demonstrate how the transformation undermines the power of traditional media companies vis-à-vis their customers (Jenkins, 2006 p.10). This transformation of consumer power into a collective, fickle force manifests itself in a variety of ways in convergence culture.<br />
One development is the creation of a new type of conflict over ownership.  Fans of TV shows, movies and books now come together and create cultural products that enrich, expand and embellish the works of the original owners.  Fans and committed audience members become so invested in shows or games that the line between producer and consumer begins to blur – companies are forced to strike new bargains with consumers by allowing more interactivity and fan-produced work, but then find themselves losing control of the objects they supposedly own in the process of ‘co-creation’ (Jenkins, 2006 at p. 68, 95 and 105, for example).  Entertainment providers in particular look to foster a fan following that might turn shows/bands with declining profit margins into viable works by building an audience willing to pay for content out of devotion to the product even as others access it for free (Jenkins, 2006 p. 56).  At the same time, these devoted fans become the enemy of the producer, because they are able to leverage their buying power to control the creative process – the producer now must respond to the (typically vocal) concerns of a relatively small community, or see their show lose financial support (Jenkins, 2006 p.57-58). With fan fiction or derivative fan produced works, producers walk an equally thin line, risking undermining high levels of viewer interest by using tools like the draconian DMCA to limit use of trademark characters (Jenkins, 2006 p.138-139).  The difficulty managing fan engagement provokes a kind of schizophrenic response: “They want us to look at but not touch, buy but not use, media content” (Jenkins, 2006 p.139).  With fans playing a larger role in controlling the creative fate of cultural products, the assertion of control via intellectual property claims increasingly looks like an act of conceit rather than a legitimate expression of commercial interest, pointing towards in impending transformation of the structure of capitalism in the near future.<br />
Another important development is the relationship of advertising to media content.  Traditionally, advertising functioned as a ‘rider’ to content – the content attracted users, who tolerated ads for the sake of viewing the content they liked.  However, with VCR, digital video recording, pirating, or the option to flip channels, consumers have the ability to avoid ads.  For advertisers, the solution to the declining impact of ads has been to expand the role of branding to create an emotional attachment to the brand, to the point where it would sell itself (Jenkins, 2006 p.68-74).  One avenue for accomplishing this is closer collaboration with media producers to integrate branding into the content of shows or music, with brands becoming central plot elements or creative sponsors (producing ads that interact the show specifically) (see Jenkins’ discussion of ‘The Apprentice’ p.69-72).  In this sense, the brands begin to add value to the show as a response to viewer’s increasing ability to tune them out – advertisement starts to become the immediate fulfillment of consumer desire, independent of their decision to purchase the products advertised.<br />
Each of these authors reveals the shifting terrain of persuasion and social change as media systems develop over time.  It is my hope to chart a rough path through the shifting sands of media change in the hopes of identifying the most effective ways to create social change as our planet faces the greatest series of crisis it has ever known.</p>
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		<title>The Risks and Rewards of Thompson’s New Site</title>
		<link>http://duncanwrites.wordpress.com/2008/12/10/the-risks-and-rewards-of-thompson%e2%80%99s-new-site/</link>
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		<pubDate>Wed, 10 Dec 2008 18:14:01 +0000</pubDate>
		<dc:creator>phydeux</dc:creator>
				<category><![CDATA[Blogging]]></category>
		<category><![CDATA[bill thompson]]></category>
		<category><![CDATA[mayor]]></category>
		<category><![CDATA[new media]]></category>
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		<description><![CDATA[Bill Thompson just opened a new website designed by Blue State Digital, which also designed Barack Obama&#8217;s campaign site. First of all, I&#8217;m increasingly inclined to give my qualified support Thompson for mayor &#8211; I don&#8217;t know if it was pure election-grandstanding, but it seems like every time he makes a public announcement of some [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=duncanwrites.wordpress.com&amp;blog=7054210&amp;post=52&amp;subd=duncanwrites&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.thompson2009.com/" target="_blank"><img class="aligncenter size-full wp-image-823" title="thompsonweb" src="http://ventriloquismnyc.files.wordpress.com/2008/12/thompsonweb.jpg?w=500&#038;h=239" alt="thompsonweb" width="500" height="239" /></a></p>
<p><a href="http://www.thompson2009.com/" target="_blank">Bill Thompson just opened a new website</a> designed by <a href="http://www.bluestatedigital.com/" target="_blank">Blue State Digital</a>, which also designed Barack Obama&#8217;s campaign site.</p>
<p>First of all, I&#8217;m increasingly inclined to give my qualified support Thompson for mayor &#8211; I don&#8217;t know if it was pure election-grandstanding, but it seems like every time he  makes a public announcement of some kind, like his <a href="http://www.thompson2009.com/news/to-save-nyc-public-transit-make-car-owners-pony-up/" target="_blank">workaround of the MTA fare-hike</a>, it&#8217;s generally sensible, effective, and conscious of class dynamics in the city (for instance, as Comptroller he got city pension funds to remove their money from companies that privatise formerly public housing in the city).</p>
<p>But that&#8217;s beside the point &#8211; I think this will be a test case in how well folks other than Obama can use his organizing model in their campaign strategy.  While I trust that Blue State won&#8217;t apply the Obama model whole-cloth, many of the central elements of the Obama campaign revolved around him specifically, and might not translate well into other campaigns.  When someone wins, it always makes their system look better than it probably is, and thevalidity of the organizing model will be need to be tested in a vareity of contexts.</p>
<p>Here are some of the risks I see in adopting the Obama model:</p>
<p>-Looking like an Obama hanger-on: to stick in people&#8217;s minds, you need to develop a distinctive personality.  The individualist tendancy in American politics asks that politicians be in a way self-made.  Trying to ride the coattails too overtly undermines credibility and might hurt the campaign.</p>
<p>-Social Media can hurt too: trying to mobilize folks via twitter/Facebook/etc. can become a conspicuous display of a lack of support as well.  Having 50 people on a Facebook group demonstrates weakness in a citywide or statewide campaign.  Thompson should be  sure that embracing new media will build support among his target constituencies before over embracing the technology.</p>
<p>-You need a good story: Obama mobilized a series of glittering generalities based on his personal story.  Thompson needs to develop a central story that reduces to a short-worded theme and three key policy proposals to organize people behind the campaign.  One of the clear differences between Obama and Thompson&#8217;s site is the lofty quote Obama put on the top of every page.  Thompson doesn&#8217;t have the same type of cred, or story to get people together.</p>
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